DSpace Coleção:http://repositorio.ufc.br/handle/riufc/238362024-03-28T16:26:30Z2024-03-28T16:26:30ZEstruturas oracionais à luz da linguística sistêmico-funcional: um estudo descritivo das epístolas paulinas por meio do sistema de avaliatividadeSampaio, Mariana Freirehttp://repositorio.ufc.br/handle/riufc/761772024-02-19T13:30:16Z2023-01-01T00:00:00ZTítulo: Estruturas oracionais à luz da linguística sistêmico-funcional: um estudo descritivo das epístolas paulinas por meio do sistema de avaliatividade
Autor(es): Sampaio, Mariana Freire
Tipo: Dissertação2023-01-01T00:00:00ZConstruções com "ficar" em português e suas correspondentes em italianoAlmeida, Andressa Spinosahttp://repositorio.ufc.br/handle/riufc/760592024-02-02T13:54:44Z2024-01-01T00:00:00ZTítulo: Construções com "ficar" em português e suas correspondentes em italiano
Autor(es): Almeida, Andressa Spinosa
Abstract: Based on a cognitive-functional approach, the central aim of this work is to study Italian constructions corresponding to constructions with ficar, in particular, the construction [ficar + infinite verb form] in Portuguese, comparing the semantic-discursive functions of these constructions taken from short stories by the writer Clarice Lispector. To this end, it will analyse formal, semantic and pragmatic categories in Clarice's short stories in Portuguese and their respective Italian translations, such as: the constructional pattern, the nature of the auxiliary in Italian; the tense and verbal mode of the auxiliary; the animacy of the SN subject, as well as its informational status and semantic role; the aspectual notion, the degree of transitivity and the discursive relevance of the construction. Analysing 108 constructions with ficar in parallel with the Italian translations led to the following results: (a) the most common constructional pattern in both languages is [verb + adjective], with only 32 constructions in which the verb ficar appears in an infinite form; (b) the verb ficar is translated in Italian predominantly by rimanere, which, like ficar, takes on both a permissive and incoative value; (c) the indicative mood and the remote past tense, equivalent to the preterite perfect in Portuguese, were more frequent; (d) there is a predominance of constructions with an animate subject, in the role of patient and given informational status; (e) there is a predominance of dynamic, uncontrolled and telic states of affairs; (f) the constructions were similarly divided between the permissive and incoative aspects, with some cases of simultaneous expression of both aspects, and showed a degree of medial transitivity, assuming the discursive prominence of Figure and Background, also in a balanced way. The use of different ways of translating the verb ficar in Portuguese in periphrastic constructions [ficar + Vdo/Vndo,/ a + Vinf] seems to be primarily due to the aspectual value of the construction and the type of change encoded, whether of physical or mental state, or of property. These results, although limited by the small sample size, may shed light on the functioning of the verb ficar in Portuguese, in parallel with its Italian counterparts, contributing to the description of the two languages and to the teaching of Italian as an L2, especially to Portuguese speakers.
Tipo: Dissertação2024-01-01T00:00:00ZA construção discursiva do Ethos no álbum “Convoque seu Buda”, de CrioloFreitas, Ana Cherllany Cardoso dehttp://repositorio.ufc.br/handle/riufc/759422024-01-23T12:07:36Z2023-01-01T00:00:00ZTítulo: A construção discursiva do Ethos no álbum “Convoque seu Buda”, de Criolo
Autor(es): Freitas, Ana Cherllany Cardoso de
Abstract: This research intends to analyze the construction of the ethos of the album “Convoque seu Buda”, by Criolo. The choice for studying the artist's rap song is due to its relevance in contemporary Brazilian music since it composes songs that discuss the representations of urban space in its conflicts. Thus, the ten songs contained in the album, the layout of the tracks, and the album cover will be the corpus used for this analysis, which adopts the theoretical perspective of Discourse Analysis, mainly about the studies of Dominique
Maingueneau (1995, 2002, 2006, 2008a, 2008b, 2015, 2020a, 2020b), of which the most recent studies on ethos will be highlighted (MAINGUENEAU, 2020b), whose notion of fitting and framing will become important, as well as its dimensions, which are categorical, experiential and ideological. Linked to such concepts, we also address investments in language code and scenography (MAINGUENEAU, 1995). These concepts will be analyzed in the wake of Costa's (2001) application to the literary- musical discourse. By verifying how the ethos of the songs on the album under study are developed, we realize
that there is, in the experiential dimension, an oscillation between the sour and
transcendental character; in the categorical dimension, between the discursive role of the preacher and the rapper; and, in the ideological dimension, the anti-consumerist, social determinist and disbelieving positions of social institutions. Such characteristics, which are closely correlated, also relate to the scenographies and the language code. Furthermore, through the analysis of each song, we noticed elements that suggest that the album's ethos
is the artist's own ethos, whose coercions carry out the processes of fitting and framing the ethos. Thus, the relationship between social criticism and disbelief in institutions responsible for the well-being of individuals, which allows the emergence of an attachment to mystical forces, raises this ethos of the artist. This analysis corroborates the importance of Criolo in the Brazilian Popular Music scenario as it portrays contemporary Brazil in the literary-musical discourse and enables rich contributions to the understanding, ultimately, of how his utterances legitimize social practices and are legitimized by them.
Tipo: Dissertação2023-01-01T00:00:00ZAs embalagens que falam: ethos em enunciados aderentes dos produtos Lola CosmeticsMatos, José Wesley Vieirahttp://repositorio.ufc.br/handle/riufc/759412024-01-23T11:46:57Z2023-01-01T00:00:00ZTítulo: As embalagens que falam: ethos em enunciados aderentes dos produtos Lola Cosmetics
Autor(es): Matos, José Wesley Vieira
Tipo: Dissertação2023-01-01T00:00:00Z